"Lampedusa Fine Corsa" tells the story of Somali athlete Samia Yusuf Omar, a symbol of emancipation, who died in the Mediterranean while pursuing her dream of competing. Inspired by "Non dirmi che hai paura," the show combines theater, dance, and music to celebrate integration and diversity.
Project Category: Shows
Il Dio dalle corna di toro (eng)
This is a dance theater performance, a first dramaturgical study in memory of Giuliano Scabia, presented as part of the "Feeding God" project.
It is a reflection inspired by the Bacchae and Dionysus, Euripides' bull-horned god. A protean deity: the god who destroys all boundaries; the god who annihilates, transforms, and empowers human interiority. Dionysus: exhilaration, contradiction, and otherness.
The contribution aims to provide an introspective analysis of the topic, but it also becomes a syncretic act of voice, movement, and percussion, expanding and embracing ritual sounds, ecstatic suggestions, and sub-Saharan spirituality.
Mi sta a cuore (eng)
Nel 2023, centenario della nascita di Don Lorenzo Milani, Sanguemisto gli dedica sei spettacoli estivi nell’ambito dell’Estate Fiorentina, affrontando temi a lui cari come la scuola, la pace, la giustizia sociale, la memoria, i diritti delle donne e l’attenzione agli ultimi. Ogni opera porta nel titolo l’espressione “Mi sta a cuore…”, riprendendo l’“I care” del Priore di Barbiana come filo conduttore e principio ispiratore.
Cerotti sul cuore (eng)
In the summer of 2022, Sanguemisto staged four performances as part of the Estate Fiorentina, intertwining theater, music, dance, and poetry to address universal themes such as war, borders, the condition of women, and migration. Through these works, the company strongly reaffirmed the duty to bear witness and to say no to war and injustice, even when it may seem a useless or idealistic gesture.
Donne in lotta (eng)
In the summer of 2022, Sanguemisto staged four performances as part of the Estate Fiorentina, intertwining theater, music, dance, and poetry to address universal themes such as war, borders, the condition of women, and migration. Through these works, the company strongly reaffirmed the duty to bear witness and to say no to war and injustice, even when it may seem a useless or idealistic gesture.
La guerra non si può umanizzare si può solo abolire (eng)
In the summer of 2022, Sanguemisto staged four performances as part of the Estate Fiorentina, intertwining theater, music, dance, and poetry to address universal themes such as war, borders, the condition of women, and migration. Through these works, the company strongly reaffirmed the duty to bear witness and to say no to war and injustice, even when it may seem a useless or idealistic gesture.
Mi sono visto di spalle che partivo (eng)
Uno spettacolo che omaggia Fabrizio De André e Gian Maria Testa, intrecciando musica, poesia e narrazione. Segue la storia di Samadou, giovane migrante dal Mali, in un viaggio di trasformazione ed empatia. Rivisitazione di “Sguardo Meticcio”, mira a creare un’epica moderna delle migrazioni.
Sguardo meticcio (eng)
A show that tells the story of migration through the story of Samadou, a young Malian who arrived in Italy. Between dialogues and songs by Gian Maria Testa, his journey reflects that of unaccompanied minors and migrants of yesterday.
Noi siamo solo andata (eng)
A performance inspired by Erri De Luca's “Only Gone,” which weaves together theater, poetry, dance and music to recount the desperate journey of migrants. Through a collective and polyphonic narrative, it celebrates human strength and resilience, giving voice to the hopes and difficulties of those who cross the world in search of a better future.
Sognai talmente forte che mi uscì il sangue dal naso (eng)
An emotional tribute to Fabrizio De André, weaving music, poetry and reflections on diversity and inclusion. Inspired by the iconic line from the song “Sand Creek River,” the show establishes a parallel between the genocide of American Indians and the tragedies of migrants in the Mediterranean.
- 1
- 2









